Tuesday, June 28, 2022

Miami Faena Review - September 2021

 Situated along Miami’s Mid Beach, hotelier, fashion designer and cultural engineer Alan  Faena’s eponymous hotel welcomed us into its nave, a gold-columned lobby flanked  by monumental murals. Designed by the Argentinean artist Juan Gatti, the murals,  bursting collages of mythological, religious, and astrological iconography, set the tone  for our visit: decadence, seduction, fecundity, and possibility. The iconic Faena red, a  bright, blue-red, punctuates the hotel’s interior, theatrically designed by Baz Luhrmann  and Catherine Martin, from top to bottom. We were ushered to our own check-in desk  hidden in a richly adorned alcove, where glittering bric et brac overwhelmed—from  leopard skinned armchairs, to diamond encrusted corals, to jewel-toned enamels. 

At check-in, we were lightly warned that it was the Latin American Music Awards and  Faena was hosting. Because it was a full house, we were told to make reservations for  restaurants and for beach chairs as far in advance as possible. This was perhaps the  kindest, most backhanded way of saying that we should not expect too much help  unless we were Maluma or Cardi B. That afternoon, crowds with butterfly dispositions  gathered in stilettos, slinky dresses and limited edition sneakers. Smelling of  sunscreen, sweat, and perfume frosted over by air on blast, voguish crowds vaped  indoors indiscreetly, knowing that they were too glamorous to be stopped. The music,  a predictable techno beat, was muted by the fabulous conversations flitting between  guests. It was an unmistakably holiday feeling. 

We took a gilded elevator to our ocean-facing suite and opened a heaving door to a  sophisticated scene. There, a velvety-red sofa sat atop a kaleidoscopic Persian rug,  flanked by table lamps with golden palm trees for its bases. The TV was set to its  welcome channel which played a Faena ad campaign; a sticky jingle that was quirky,  mysterious, and fun at once. For the reader (me), the coffee table book of choice was  about none other than Alan Faena; the Rizzoli tome dissected and showcased the  founder’s ethos, hedging our descent into Faena’s world.  

We took our complementary Faena label wine and tropical fruit—lychee, starfruit,  papaya and lime—to our balcony, which was softly framed by aquamarine drapes,  evocative of the sparkling Atlantic. We soaked in the bright Miami ski and breathed in  the warm ocean below, inhaling salt and, strangely, whiffs of meat roasting on a spit below, belonging to Los Fuegos, the open-fire concept restaurant by Francis Mallmann.  Just beyond, Damian Hirst’s Gone But Not Forgotten was the foci of the courtyard. The  brilliance of the skeletal mammoth, gilded in gaudy gold, was shrouded by shade while its glass cage suffered an assault to its bottom right corner. It was not quite what we were expecting from the pièce de résistance of Faena’s art collection, but we forgave quickly given the strains of the pandemic. 

In the bedroom, scalloped sconces flanked a bright white bedspread. Its cool comfort  was a welcome contrast to the muggy heat. The bathroom impressed, with its deep  tub, top-of-the-range bidet and Faena-red toiletries. Enveloped in pearlescent  herringbone tile, the bathroom was a cavernous respite from the clinging beach. The  accents of red, blue and white run the risk of appearing nautical, but at Faena it reads 

as “Miami cool.” Everyday, we were gratified by our housekeeper who, with the encouragement of tips, liberally replenished our towels and acqua panna. 

Faena has four restaurants, four bars, a gym, spa, theater and private beach. At  Veranda, the extensive breakfast ranged from lobster avocado toast, to vegan hash, to  key lime french toast, served atop gold-leafed plates on a shaded outdoor terrace. At  Los Fuegos, we sunk our teeth into perfectly grilled meats and dined on traditional  South American rustic recipes. Our favorite restaurant, Pao by Paul Qui, was a  memorable night of expertly married Filipino, Spanish, Japanese and French cuisine. 

Faena’s private white sand beach was dotted with generously sized red-and-white  umbrellas and reclining lounge chairs. We showed up after lunch and were pleasantly  surprised that without reservation we easily snagged two chairs. Between soothing  laps in the shallows of the ocean, we took welcomed sips of fresh coconut juice. While  we didn’t make it to the spa on this recent trip, we did walk through the spa, through  the gift shop, to the gym, where we squeezed in a quick workout before dinner at Pao.  Though our trip was short, we did make a point of catching Tryst Cabaret at the Faena  Theater. The contemporary cabaret, a seductive swirl of singing, acrobatics, fire-eating,  tasseled bras, and comedy, enticed and teased us, gouding me to flout propriety as the  host Ariana Savalas shamelessly flirted with my husband.  

We loved our stay at Faena, though there were a few instances where customer service  felt limited. At check-in, for example, setting the expectations that staff would be  strained because of the Awards made us feel lesser-than. We felt that to really take  customer service to the next level, the concierge might’ve taken the initiative to  immediately make reservations on our behalf. While at the pool, because the pool bar was closed, we were told to purchase our drinks at the restaurant and walk them over ourselves. While not a gargantuan task for us, it would’ve been exceptional if the staff had offered to get us our drinks instead. Notedly, the hotel advertised a car service by Alpha Romeo, however I inquired about it multiple times and the car was perpetually engaged. Given our demonstrated interest, it would’ve been better if the concierge offered the car when it was knowingly available.  Finally, we felt a little sorry for the golden mammoth, whose presence would’ve elevated the courtyard had its broken cage been fixed and illuminated. While staff did their job, we didn’t feel that anyone had gone above and beyond; such actions take a four to a five star hotel. 

Despite these pale misgivings, We left Faena with a light buzz. Our experience was  both energizing and relaxing; the hotel’s accommodations, interiors, restaurants,  entertainment and crowd were inspiring, and put together they were a convincing  argument for the Faena way of life. Faena is now lodged in our memories until the tinkly  tune of its jingle pulls us back. 


Thursday, April 14, 2022

Sunday, February 6, 2022

Books in 2022

 January

Happy Ever After, Escaping the Myths of the Perfect Life - Paul Dolan 

February

-

March

-

April

-

May

The Palace Papers, Tina Brown 

June

The Splendid and the Vile, Erik Larson 

Severance, Ling Ma

July

The Seven Husbands of Evelyn Hugo, Taylor Jenkins Reid

August

Permanent Record, ES

September

Essence and Alchemy, Mandy Aftel

October

The Tale of Peter Rabbit, Beatrix Potter

November

The Emma Project, Sonali Dev

December

Circe, Madeline Miller

The Tale of Squirrel Nutkin, Beatrix Potter

The Tale of the Tailor of Gloucester, Beatrix Potter 

(I read two children's books to make 12, haha! quite bad this year)